Calder
Performing Seal, 1950 Painted sheet metal  and steel wire 33 x 23 x 36 in.
13th Aug 201204:451 note
Self-aligning ball bearing.
Photographed by Ruth Bernhard for Museum of Modern Art’s show Machine Art in 1934
“In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museum goers about the nature of beauty and value in the era of mass production.” -http://museumofmodernartchicagopyke.wordpress.com/
Section of spring.
Photographed by Ruth Bernhard for Museum of Modern Art’s show Machine Art in 1934
“In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museum goers about the nature of beauty and value in the era of mass production.” -http://museumofmodernartchicagopyke.wordpress.com/
Ruth Bernhard “Two Leaves, 1952”
Ruth Bernhard Lifesavers
“Each time I make a photograph I celebrate the life I love and the beauty I know and the happiness I have experienced. All my photographs are made like that ~ responding to my intuition… After all these years, I am still motivated by the radiance that light creates when it transforms an object into something magical. What the eye sees is an illusion of what is real. The black-and-white image is yet another transformation. What exactly exists, we may never know.” ~Ruth Bernhard
Metropolis (1927)
Fritz Lang
Metropolis (1927)
Fritz Lang
Claes Oldenburg, Swiss Army Knife Ship Superimposed on the Guggenheim Museum
Scissors as Monument, Claes Oldenburg
endeavour space shuttle
endeavour space shuttle’s final landing
endeavour space shuttle
space shuttle hubble repair team
Honoré DaumierMasks of 1831,1832 Lithograph 21.2 X 29 cm
Le Passé–Le Présent–L’Avenir (Past, Present, Future), January 9, 1834Honoré Daumier (French, 1808–1879)Lithograph 
Daumier, who had served a prison term for a cartoon of 1831 depicting King Louis-Philippe as Rabelais’ Gargantua, made this lithograph for the January 9, 1834, issue of La Caricature, a political weekly begun by Charles Philipon in 1830 and closed by the government in 1835.
Opaque  by  andbamnan
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